New York Strip Clubs: Rick’s Cabaret Ready To Salute The Troops For Fleet Week

The entertainers at Rick’s Cabaret/NYC , the nightclub Playboy.com calls the “best strip club in New York,” are prepared to give the troops a very patriotic Big Apple welcome during this year’s Fleet Week . Anyone in uniform gets free admission to the club with drink specials throughout the days and nights from May 22nd through May 30th. The club at 50 W. 33rd St. is part of the publicly traded Rick’s Cabaret International, Inc. (NASDAQ:RICK) group of upscale gentlemen’s clubs.
“Every single one of our entertainers loves people who serve in the armed services and help protect our country, and they always go all out to give these men and women a great time,” according to Ken Sistrunk , general manager of the club that is across the street from the Empire State Building and a block from Madison Square Garden. “We’re calling it ‘Armed Forces Week’ because we want to honor everyone in the services.”

See the full article from “TMR Zoo”

New York Strip Clubs: The Stripper in a Police Uniform? He’s for Real

The Stripper in a Police Uniform? He’s for Real

But Mr. Stanulis was seeking a way to attract a wider audience – men, for example — to his shows. So two years ago, he began writing “Stripped the Play,” which does have its share of exotic dancing, but also has a dramatic story line pegged to the lives of four male strippers in a dance troupe. It was written by Geoffrey Cantor, the show’s director, and by Mr. Stanulis, who plays the dancer Brock Hammer in the show.

Mr. Stanulis, the son of a police sergeant, grew up in the Annandale section of Staten Island and began working as a stripper at Chippendales at age 18, after being recommended by a classmate at Wagner College on Staten Island. He was well into the gyrations of his dancing career when he joined the Police Department at age 20. Mr. Stanulis worked in police precincts in Manhattan before joining the 120th Precinct on Staten Island.

See the full article from “New York Times (blog)”

New York Strip Clubs: Billy Dean’s Cabaret Application Rejected, Car Seat Safety Inspection

The Supreme Court of the State of New York announced Monday that it has upheld the Town of Hempstead’s decision to reject North Bellmore strip club owner Billy Dean’s cabaret application for a proposed Wantagh nightclub/restaurant on Sunrise Highway.
Dean’s suit against the town argued that the Hempstead Board of Zoning Appeals should have never revoked its original June 2010 approval for cabaret usage on 3500 Sunrise Highway in Wantagh.
The zoning board decided last March to schedule a rehearing of Dean’s application under the name Green 2009, Inc. due to vocal opposition that mounted against the development, as well as a belief that not enough people were notified of the original hearing date.
Town Announces Car Seat Safety Inspection Summer Schedule
Hempstead Town has announced the summer schedule for the Child Car Seat Safety Inspection Program. The town’s certified child passenger safety technicians will inspect and properly install child car safety seats and instruct guardians on their proper installation. State law requires that children under the age of 8 are restrained in an appropriate child restraint system when riding in a motor vehicle. 

See the full article from “Patch.com”

New York Strip Clubs: "Forbidden Kiss Live!" Celebrates Sixth Year with Crowd-Pleasing Sexy Cabaret …

A unique, comic-mime, reverse striptease was elegantly performed by Parker Leventer performing as alter ego “Prudence McInnocently.” Leventer’s past experience in physical theatre and impressive acting credentials were put to wonderful use in her unspoken performance that turns dressing to work in the garden into a very sensual exercise.
Gaby Gold donned a tight and tantalizing black dress with dental napkin for a necklace to wow the audience with her powerful voice and comedic chops, singing of the love for her orthodontist—and all that it implied. Gold was seduced into performing at the monthly crowd pleaser while a regular in Cheryl King’s “Write Your Heart Out” class.
Guest stars for the May performance included Greg Halpen, who sang a heartfelt version of “Kissing You,” and actress Valerie Hager who performed part of her dynamic show that’s currently in workshop, Naked in Alaska, where a heart-of-gold stripper faces her first day on the job.

See the full article from “PR.com (press release)”

New York Strip Clubs: Naya Rivera de stripper y bailando en tubo antes de ser famosa (VIDEO)

Naya Rivera interpreta a Santana, la abiertamente lesbiana chica ruda de ‘Glee’. Pero antes de que se volviera famosa, la actriz de 25 años, quien es mitad puertorriqueña, también tuvo que empezar su carrera con papeles un tanto… dudosos.
En un video de 2007 descubierto por Perez Hilton en su sitio, la sexy actriz participa en un programa del canal Spike Network titulado ‘Wild World of Spike’, donde están buscando a una stripper que baile muy bien en el tubo…
Naya, presentándose como una “chica con excelentes calificaciones”, baila en el escenario para tres tipos, usando un atuendo de colegiala bastante sexy y revelador… Muerde sensualmente una manzana, demuestra sus habilidades de bailarina en el tubo y de repente, ¡les enseña las bubis!
Pero ahora vaya que ha recorrido un largo camino desde esta aparición… Gracias a ‘Glee’, Naya se ha convertido en una de las revelaciones latinas del momento. ¡Así que nada de bailar más en tubo!

See the full article from “Huffington Post”

New York Strip Clubs: Larry King’s talk show to resume this summer

Season five of “The Game” is currently on-air. Mowry stars as Melanie Barnett-Davis, a medical school graduate and wife of football star Derwin Davis, played by Hall. The first three seasons originally aired on the CW from 2006 to 2009. After nearly two years off-air, BET picked up the show and it became a ratings success.
BET said it “is in the process of reworking the casting and storyline” and hopes Hall and Mowry “will make several guest appearances.”
• • •
NEW YORK — Joey Lawrence is shedding his clothes: The actor has joined the male erotic dancing troupe Chippendales.
The 36-year-old will work as a singer, dancer and host in the Las Vegas production for three weeks in June.
In a statement to The Associated Press on Thursday, Lawrence said screening Channing Tatum’s upcoming film about being a stripper — “Magic Mike” — encouraged him to join the male revue.

See the full article from “TriValley Central”

New York Strip Clubs: Rick’s Cabaret/NYC Entertainers Ready To Salute The Troops In Manhattan For …

NEW YORK, May 18, 2012 /PRNewswire via COMTEX/ — The entertainers at Rick’s Cabaret/NYC, the nightclub Playboy.com calls the “best strip club in New York,” are prepared to give the troops a very patriotic Big Apple welcome during this year’s Fleet Week. Anyone in uniform gets free admission to the club with drink specials throughout the days and nights from May 22nd through May 30th. The club at 50 W. 33rd St. is part of the publicly traded Rick’s Cabaret International, Inc.
group of upscale gentlemen’s clubs.

See the full article from “MarketWatch (press release)”

New York Strip Clubs: Explicit and harrowing handshakes with death

BY JERRY TALLMER  |  Most plays in the English language have a certain formal structure. There are so many characters — anywhere from just one to, oh maybe 30 or 40. Each character has a name or a descriptive tag or both (Editor Webb — Candida, the minister’s wife — Young Abe Lincoln), and the words or thoughts or both are ascribed to one or another of these characters or, as it may be, more than one.
Not in the case of Mark Ravenhill. Or at least not in the case of 46-year-old British playwright Mark Ravenhill’s passionate yet cynical “pool (no water),” which — lower case and all, but with five life-sized, flesh-and-blood actors articulating now this person, now that one, as if by roll of the dice (ah there, Rosencrantz and Guildenstern!) — is receiving its New York premiere.
One might think that this strip tease, bare-bones aspect of a play gunning for public consumption might be for shock effect, and one might be right. The last time we had something of Ravenhill’s in these parts was 12 years ago at East 4th Street’s New York Theatre Workshop, and the work being shopped bore the in-your-face title, “Shopping and Fucking.”

See the full article from “The Villager”

New York Strip Clubs: INTERVIEW: Ashley Spencer Is Ready to Rock of Ages

Now, Spencer is taking on the role of small-town girl Sherrie in the hit Broadway musical, Rock of Ages, at the Helen Hayes Theatre. TheaterMania recently chatted with Spencer about the show, learning how to work the stripper pole, and celebrating the Tony Award nomination of her fiancé, Newsies star Jeremy Jordan.

AS: First, her relationship with Drew is so touch and go. There is so much miscommunication between them. I think when they miss each other, they are finding themselves. Drew wants to be a big rock star, and Sherrie wants to be an actress, but becomes a stripper. Ultimately, she learns how to take care of herself and how to be independent, which she already is in a way, from the beginning. She has to become a bad girl to find out who she really is. And then she ends up with Drew at the end.

See the full article from “TheaterMania.com”

New York Strip Clubs: Explicit and harrowing handshakes with death

Most plays in the English language have a certain formal structure. There are so many characters — anywhere from just one to, oh maybe 30 or 40. Each character has a name or a descriptive tag or both (Editor Webb — Candida, the minister’s wife — Young Abe Lincoln), and the words or thoughts or both are ascribed to one or another of these characters or, as it may be, more than one.
Not in the case of Mark Ravenhill. Or at least not in the case of 46-year-old British playwright Mark Ravenhill’s passionate yet cynical “pool (no water),” which — lower case and all, but with five life-sized, flesh-and-blood actors articulating now this person, now that one, as if by roll of the dice (ah there, Rosencrantz and Guildenstern!) — is receiving its New York premiere.
One might think that this strip tease, bare-bones aspect of a play gunning for public consumption might be for shock effect, and one might be right. The last time we had something of Ravenhill’s in these parts was 12 years ago at East 4th Street’s New York Theatre Workshop, and the work being shopped bore the in-your-face title, “Shopping and Fucking.”

See the full article from “Chelsea Now”

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